A Verdadeira Face da Polícia de Segurança Pública e o combate de MMA sem regras entre o Arconte falso Juiz Rui Fonseca e Castro e o Arconte Diretor da PSP Magina da Silva

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PSP

Reparem que os polícias homens e mulheres andam com o cabelo rapado ou rapado dos lados e as mulheres andam com tranças e com o cabelo apanhado, isto não é ao acaso, tem um propósito criminoso, é para desproteger as fontes de ambos os lados da cabeça para as ondas eletromagnéticas (low frequency waves) emitidas pelos telemóveis e walkie talkies policiais (que são armas psicotrónicas eletromagnéticas de controlo mental) conseguirem penetrar o crânio e incitar os polícias à violência!

Eles atacam as artérias no cérebro (para indzur frequências nocivas no sangue com as low frequency waves) e o meato acústico que funciona como um ressonador magnético sensível a sons! O cérebro não ouve apenas pelos ouvidos! Todo o cérebro é um ressonador acústico sensível a sons e estímulos eletromagnéticos!

brain

Já sei qual a razão de quererem tanto usar a tecnologia obsoleta e insegura Bluetooth (ex: apps de rastreio, COVID tracing) é para Electroencephalographic (EEG) recordings, neuro-recordings, eles precisam de transferir rapidamente e sem falhas a atividade cerebral para o Smart Phone, isso é feito com uma ligação de curta distância e rápida, é o bluetooth:

brain computer interface

E as vacinas é para inoculação de nanochips que comunicam com todos os dispositivos Smart:

Automattic, the company behind WordPress wants to build the operating system of the web to track, steal and control everyone with cloud computing and artificial intelligence!

I want to thank those who censored me and deleted my WordPress personal diary because WordPress is an obsolete, slow platform with cunning policies and ulterior motives that is clearly following diabolical agendas and being complicit in censoring uncomfortable information! They want money and power, that’s all! In the Internet of the Future there is no place for cowards or for platforms that censor information and knowledge! WordPress represents 33% of the internet (meaning it’s a monopoly disguised as open source, and what a masonic number, WordPress powers 33% of the web, it’s a centralized monopoly!) WordPress is involved with other criminal monopolies billionaires at Google who killed the Internet. Note that WordPress never implemented video sharing from alternative monetized platforms like BitChute or Archive! Although WordPress represents 33% of the old internet with a slow and obsolete system, I hope that in the telepathic Internet of the Future there is no WordPress or Google at all!

The time has come to expose the fraud of WordPress and its evil schemes to control the internet and the world. WordPress is a Malware through security plugins, mainly JetPack and “WordPress Security Plugins”, these are Trojan Horses to track everyone, it was a way for intelligence agencies (who are terrorists) to infiltrate the WordPress community to subvert, corrupt, trace and control WordPress users through security plugins and realtime monitoring and tracing! That is why WordPress is very slow with these plugins installed because they are monitoring and tracking everything! They are tracing everyone through security systems! These security plugins are malwares and are being sold and installed on all WordPress sites for spying, for tracking IPs and for stealing personal data and personal information from all WordPress users! And all of this in the name of false security! They hold with one hand and steal with both!

Automattic is a Trojan that automatically capture personal data into the Cloud Computing to feed the artificial intelligence in the name of Trust & Safety. WordPress is a Trojan that has access to personal data of users and those who access sites hosted with the WordPress platform, they do predictive programming to predict the future and control the world. For that they need to centralize the Web through an Operating System (WordPress) to track & trace everyone around the world, this is done with centralized platforms, security systems, Smart technology, mobile phones, televisions, computers and social networks because people everything they do they publish on social networks and blogs and everything they look for on the internet is being tracked by the operating systems and security systems of mobile phones and computers that send personal data to the Cloud Computing to program artificial intelligence to control people with predictive programming and that is why security systems software companies have tentacles everywhere, on all devices and across society at a personal, business, political and State level, they are everywhere with their security systems (trojans) installed because the tracking of all information on the network and all personal data are being tracked in realtime and captured by security systems in the name of false security!

Security systems and operating systems are capturing all personal data from everyone around the world and send that information to Cloud Computing to feed artificial intelligence to do predictive programming to standardize people into groups (predictive programming bubbles) to control people by giving them what the artificial intelligence think they want based on the tracing of personal information, this ends up preventing people from taking new actions in their lives and from following new paths because they are conditioned to what is shown, sold, suggested. They get stuck in a bubble, in a closed circle, in a circular and predictive movement (because people don’t get out of that circle of information that AI makes based on the personal data it collects and keeps in Cloud Computing and all of this being done through security systems in the name of a false security.

Criminally underrated talents censored by Facebook: One of the most underrated producers in the world: Muffler from Finland

Pedro Índigo: Não sei o que é que o Facebook tem para censurar os grandes artistas como este. Se calhar querem que as pessoas partilhem música pimba. Daahh

Trevor Belmont: Eu sei porquê, eles têm analistas que quando detetam alguém com grande potencial de influenciar positivamente o mundo, eles dificultam a vida a essas pessoas! No caso do Muffler o que eles querem impedir é o Drum and Bass dele, ele usa o Drum and Bass de uma forma terapêutica que eu vou revelar brevemente no meu diário. O Drum and Bass é muito importante por causa das frequências emitidas e do bpm (beats per minute), que influencia positivamente as nossas células que funcionam por ressonâncias e que fecha os portais dessas bestas arcontes! Basicamente o que a música com elevados BPMs fazem é excitar as células ao ponto que elas ficam com elevado potencial de acção que aumenta a life force e faz com que o corpo se cure e se regenere facilmente! “The higher the BPM, the faster the song, which is great for scenes that are joyful, exciting, or need to move quickly or intensely.”

Hiperatividade não é nenhum défice de atenção, pelo contrário, é estar num estado de hiper atenção para consigo próprio conectado com a alta vibração do Espírito, é viver fora do tempo (que é low vibe) é sair fora da matéria à nossa volta e conectarmo-nos com o nosso Espírito dentro de nós que nos faz sair fora do espectro electromagnético e tornamo-nos hiperativos com défice de atenção para com os degenerados e com tudo que está em baixa vibração que não nos acompanha! Ou seja, a doença é de quem não nos acompanha, é défice de hiperatividade e não défice de atenção, eles adoram subverter tudo!

O síndrome de défice de atenção não é uma doença, é um estado natural (índigo) de qualquer ser minimamente inteligente e evoluído, com hiperatividade porque está num estado de transcendência conectado com o Espírito em alta vibração!

Por isso é que o Terry Davis (TempleOS) disse que a música clássica é tóxica! (ver aqui) É por causa dos BPM’s, do tempo, é onda média e som oxidado (instrumentos de sopro e processados por metal) que nos mantém sob hipnose, lentos, estimula o orgulho mas mantêm-nos presos à matéria numa frequência harmoniosa (falta de potencial de acção) e há determinados sons oxidados dos instrumentos clássicos que queimam as células. É muito importante estudarmos música e como nos têm enganado ao longo dos tempos! Basicamente eles armadilharam tudo na sociedade para nos manter presos à rede oxidada deles! Referências:

Existe música inaudível, é a mais importante, está no silêncio que está cheio de som, o silêncio tem tanto som que não se ouve porque sai fora do espectro electromagnético, é superior a Hypertone ou Extratone, é superior a 1 milhão de beats per minute, (o som do silêncio não poder ser medido porque não tem limites, é o Void, Vazio), ou seja o som do silêncio deixa de ser emitido em beats per minute (porque sai fora da luz e do tempo) para passar a ser tones, ou seja, materializa-se em tons! A natureza funciona dessa forma, com som! A luz e a matéria é som em baixa vibração!

Por isso é que eles proibiram o estilo de dança e música Charleston, porque era terapêutico, extremamente saudável, o género Charleston é um estilo de música jazz e dança com 200-290 beats per minute, o mais elevado que existe!

O charleston faz uma coisa muito importante, cruzamento de braços, pernas e olhos! O médico oftalmologista William Horatio Bates descobriu que o cruzamento dos olhos é muito importante para recalibrar a visão e exercitar o músculo ocular responsável pela focagem da visão, o nosso cérebro funciona com cruzamento de informação. Uma coisa que eu tenho reparado é que a geo-engenharia ataca-nos a visão por causa do nanodust/smartdust e porque bloqueiam os jetstreams e os elementos atrasando o metabolismo e dificultando-nos a visão. Eles estão a baixar a vibração planetária.

As religiões estão por detrás de tudo! Sempre estiveram! Os arcontes são as cúpulas religiosas que controlam os exércitos e a política e todos os poderes abaixo! O objectivo desses arcontes é diminuir a vibração para manter os corpos com electricidade estática e energia parada, tudo que faça vibrar o corpo eles querem proibir. Por isso é que eles proibiram na década de 1920/30 o estilo de música e dance Charleston porque esse tipo de dança abanava o corpo todo e de uma forma cruzada que impede qualquer tipo de bloqueio energético, estimula o corpo de uma forma que se torna leve e conectado com o Espírito! O género Charleston é baseado no género Jungle da qual o Drum and Bass deriva e que são os géneros de música mais rápidos, completos e ritmados com drum and bass que chegam até 185 beats per minute.

O Muffler disse isto sobre o Drum and Bass: “Drum ‘n Bass is an electronic music style with breakbeats and basslines that is going in about 160-180 bpm tempo with influences from all other styles of music in it” – source

“Dances associated with jazz (and African-American culture) received particular negative attention. The Charleston (“a lively ballroom dance in which the knees are twisted in and out and the heels are swung sharply outward on each step”) was banned in many places due to its apparent sexual nature and likelihood of exposing women’s legs (although some locales banned it for ostensible safety concerns, after more than 40 people were killed in Boston when the floor collapsed at a Charleston dance in 1925). A number of areas and associations forbade the shimmy (the shoulder-wriggling favorite of the Jazz Age crowd).” – source

The Charleston” is a jazz composition that was written to accompany the Charleston dance. It was composed in 1923, with lyrics by Cecil Mack and music by James P. Johnson, who first introduced the stride piano method of playing. – source

“Stride piano is highly rhythmic because of the alternating bass note and chord action of the left hand. In the left hand, the pianist usually plays a single bass note, or a bass octave or tenth, followed by a chord triad toward the center of the keyboard, while the right hand plays syncopated melody lines with harmonic and riff embellishments and fill patterns. Proper playing of stride jazz involves a subtle rhythmic tension between the left hand which is close to the established tempo, and the right hand, which is often slightly anticipatory.” – source

O stride piano é muito importante, era a técnica usada no Charleston! Na prática é improvisação rítmica! Não obedece a padrões! É um estilo abstracto e improvisado que não consegue ser definido, como a natureza! A natureza funciona toda de forma abstrata! (ver aqui)

Stride piano

Trance e PsyTrance é um misto de Drum and Bass, Jungle, Techno, Trance e Dubstep, é poderoso, são géneros muito rápidos com uma frequência elevada com maior número de beats per minute.

Reparem que os géneros de dança tradicionais folk (ex: occitan folk fance) também têm um ritmo elevado, são parecidos com o charleston, ou melhor, o charleston é que se baseou nos estilos tradicionais folk, deu-lhe um estilo mais louco, abstracto, caótico, ou seja, não tem estilos, e aumentou o ritmo e os beats per minute. Por isso é que os arcontes (líderes religiosos e políticos) proibiram esses estilos de música e dança rápidos e com muitos beats per minute porque isso transcende a matéria e liberta espiritualmente!

O Heavy Metal não faz mal nenhum, na realidade torna o corpo leve, tem o efeito contrário, conecta o corpo físico com o corpo espiritual, por isso é que o pessoal do heavy metal é pacífico e são pessoas contra o sistema, são inteligentes e revolucionários! As melhoras baladas são do heavy metal. Ao contrário da opinião religiosa (tendenciosa e preconceituosa) o heavy metal liberta as pessoas e estimula o espírito porque aumenta a vibração do corpo! Os beats per minute do Metal é entre 100 e 160.

One of the most important features of music is the tempo it’s played at. Nowadays that is usually expressed in BPM, meaning the total number of Beats Per Minute. To identify music genres by this feature, first you have to know what the typical BPMs of most popular genres are. Some of popular non-electronic genres and their approximate tempo ranges include:

GenreTypical BPM
Reggae60-90
Down-tempo70-100
Chill-out90-120
Hip-hop85-115
Jazz and Funk120-125
Pop100-130
R&B60-80
Rock110-140
Metal100-160

Electronic genres and their tempo ranges include:

GenreTypical BPM
House118-135
Deep House120-125
Tech House120-135
Electro House125-130
Progressive House125-130
Trance130-145
UK Garage130-135
Dubstep+/- 140
Trap+/- 140
Techno120-160
Hardstyle150 – 160
Jungle155-180
Drum and Bass165-185

Finally, some different social/partner dances and their typical tempo ranges:

GenreTypical BPM
Waltz84 – 90
Foxtrot112 – 120
Charleston200 – 290
Tango62 – 66
Cha Cha Cha120 – 128
Rumba100 – 108
Samba96 – 104
Salsa180 300
Jive168 184
Paso Doble120 – 124

Referências:

Muffler: from Amiga musician to top DJ/Producer

Konsta Mikkonen / Muffler / Unique Music

A música clássica e comercial é tóxica, é uma droga de euforia induzida temporária que manipula a resposta sensorial autônoma do meridiano! Por isso é que as elites adoram todos música clássica e vendem música comercial à manada para manter as pessoas excitadas sem potencial de repouso e de acção celular!

A cabala acústica usa o alfabeto consonantal que tem sido usado desde a inoculação das linguagens alfabetizadas para controlar as populações mundiais pela palavra para excitar o ar com níveis elevados de oxidação para libertar epinefrina oxidada (adrenochrome) usando o oxigénio como combustível e super-condutor para espalhar frequências patógenas no ar e dar de mamar aos Archons que se alimentam de epinefrina oxidada com a queima (holocaustos) dos corpos e do oxigénio pela palavra, pelo sopro, pelo fogo em incêndios, eventos culturais, desportos, festivais religiosos, matança animal, foguetes e fogo de artifício, guerras, e com instrumentos de música de sopro e de metal polido que foram orquestrados para queimar e densificar o ar com as orquestras musicais e as bandas sinfónicas e filarmónicas!

Como é que a maçonaria controla a humanidade pela arquitectura, geometria e pela propagação do som!

Genesis – Nebula (FULL ALBUM) Oophoi & Klaus Wiese & Tau Ceti

Genesis – Nebula

“This a very deep journey with strong Tibetan overtones. Nebula is a melange of five talents… Klaus Wiese (ex Popol Vuh member): Tibetan singing bowls, steel cello; Mauro Malgrande: shakuhachi flute and production; Lorenzo Pierobon: harmonic chant and electronics; Tau Ceti: synths; Oophoi synths, samples, gongs, drones, loops, waves, processing and concept.”- Source

#Tibetan#Klaus_Wiese#Oophoi#Tau_Ceti

Nebula – Genesis

Nebula: Devotion – The Path Of White Clouds (Stella Maris, 2003)

Nebula – Devotion

Nebula – Devotion
Disco: The Path Of White Clouds (Stella Maris, 2003)
Singing Bowls – Geert Verbeke
Synthesizer – Mathias Grassow,
Tau Ceti Synthesizer, Gong – Oöphoi
Vocals – Luna

Nebula: The path of white clouds

Commodore cure-all Rife Frequency H0ffman The Hunter God said Commodore is our Ancestral Land, We knew what the fuck we were doing! Terry Davis TempleOS

The Hunter Commodore Amiga Hoffman

I thought the sound chips on the market, including those in the Atari computers, were primitive and obviously had been designed by people who knew nothing about music. – Robert Yannes, On the Edge: The Spectacular Rise and Fall of Commodore:

Musicotherapy: Florian Fricke/Popol Vuh – Kailash

Florian Fricke Popol Vuh – Kailash

One of the most deeply emotionally moving experiences in the history of music. Popol Vuh remains my favorite and the most unique among the experimental German Krautrock scene of the early ’70s. Unlike other innovative bands such as Can and Neu!, Popol Vuh played music from the heart rather than the head. They first explored the expression of spirituality in the two side long tracks of electronic music on In den Garten Pharaos (In Pharaoh’s Garden) with the revolutionary use of the Moog, as well as African and Turkish percussion. Later they used rock music and the bright, uplifting, affirming sound of Daniel Fischelscher’s guitar on Einsjager & Siebenjager (Earth & Sky). Hosianna Mantra, however, remains their profound spiritual masterpiece–a marriage of Eastern and Western sacred music. Florian Fricke converted to both the Western religion of Christianity and the Eastern religion of Hinduism and composed this album as a “mass for the heart”. The album was built around organic instrumentation, such as 12-string guitar, piano, oboe, violin, cembalo, tamboura, etc played in a Medieval and Renaissance manner and was recorded in a Buddhist meditative tone with the angelic vocals of Korean soprano Djong Yun. A true delicate treasure. – source

Referências:

A cabala acústica usa o alfabeto consonantal que tem sido usado desde a inoculação das linguagens alfabetizadas para controlar as populações mundiais pela palavra para excitar o ar com níveis elevados de oxidação para libertar epinefrina oxidada (adrenochrome) usando o oxigénio como combustível e super-condutor para espalhar frequências patógenas no ar e dar de mamar aos Archons que se alimentam de epinefrina oxidada com a queima (holocaustos) dos corpos e do oxigénio pela palavra, pelo sopro, pelo fogo em incêndios, eventos culturais, desportos, festivais religiosos, matança animal, foguetes e fogo de artifício, guerras, e com instrumentos de música de sopro e de metal polido que foram orquestrados para queimar e densificar o ar com as orquestras musicais e as bandas sinfónicas e filarmónicas!

Como é que a maçonaria controla a humanidade pela arquitectura, geometria e pela propagação do som!

A música clássica e comercial é tóxica, é uma droga de euforia induzida temporária que manipula a resposta sensorial autônoma do meridiano! Por isso é que as elites adoram todos música clássica e vendem música comercial à manada para manter as pessoas excitadas sem potencial de repouso e de acção celular!

Popol Vuh (band)

Popol Vuh

Musicotherapy: Popol Vuh – Spirit of Peace (1985)

Popol Vuh Song of the Earth
Popol Vuh Spirit of Peace

One of the most deeply emotionally moving experiences in the history of music. Popol Vuh remains my favorite and the most unique among the experimental German Krautrock scene of the early ’70s. Unlike other innovative bands such as Can and Neu!, Popol Vuh played music from the heart rather than the head. They first explored the expression of spirituality in the two side long tracks of electronic music on In den Garten Pharaos (In Pharaoh’s Garden) with the revolutionary use of the Moog, as well as African and Turkish percussion. Later they used rock music and the bright, uplifting, affirming sound of Daniel Fischelscher’s guitar on Einsjager & Siebenjager (Earth & Sky). Hosianna Mantra, however, remains their profound spiritual masterpiece–a marriage of Eastern and Western sacred music. Florian Fricke converted to both the Western religion of Christianity and the Eastern religion of Hinduism and composed this album as a “mass for the heart”. The album was built around organic instrumentation, such as 12-string guitar, piano, oboe, violin, cembalo, tamboura, etc played in a Medieval and Renaissance manner and was recorded in a Buddhist meditative tone with the angelic vocals of Korean soprano Djong Yun. A true delicate treasure. – source

Credits:

Composed By, Lyrics By – Popol Vuh
Electric Guitar, Twelve-String Guitar – Conny Veit
Oboe – Robert Eliscu
Piano, Harpsichord – Popol Vuh
Soprano Vocals – Djong Yun
Tambura – Klaus Wiese
Violin – Fritz Sonnleitner

Referências:

A cabala acústica usa o alfabeto consonantal que tem sido usado desde a inoculação das linguagens alfabetizadas para controlar as populações mundiais pela palavra para excitar o ar com níveis elevados de oxidação para libertar epinefrina oxidada (adrenochrome) usando o oxigénio como combustível e super-condutor para espalhar frequências patógenas no ar e dar de mamar aos Archons que se alimentam de epinefrina oxidada com a queima (holocaustos) dos corpos e do oxigénio pela palavra, pelo sopro, pelo fogo em incêndios, eventos culturais, desportos, festivais religiosos, matança animal, foguetes e fogo de artifício, guerras, e com instrumentos de música de sopro e de metal polido que foram orquestrados para queimar e densificar o ar com as orquestras musicais e as bandas sinfónicas e filarmónicas!

Como é que a maçonaria controla a humanidade pela arquitectura, geometria e pela propagação do som!

A música clássica e comercial é tóxica, é uma droga de euforia induzida temporária que manipula a resposta sensorial autônoma do meridiano! Por isso é que as elites adoram todos música clássica e vendem música comercial à manada para manter as pessoas excitadas sem potencial de repouso e de acção celular!

Popol Vuh (band)

Popol Vuh

Musicotherapy: Klaus Wiese ‎- Qumra II (1987)

Klaus Wiese ‎- Qumra II (1987)

Alerta: Existe alguém que se dá pelo nome de Arc e “El culto – Ambient & Electronic Music Label” que está a vender na internet novos ábuns e músicas em nome de Klaus Wiese e a dizer que são composições inéditas que não foram lançadas, isso é tudo mentira, é uma fraude!

Klaus Wiese (January 18, 1942 – January 27, 2009 in Ulm)[1] was a veteran e-musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music.

Wiese is considered by some as one of the great ambient or space music artists such as Robert RichSteve RoachMichael StearnsConstance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as OöphoiAlio DieMathias Grassow, and Tau Ceti.

He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played tamboura on the albums Hosianna Mantra and Seligpreisung. Eventually Wiese would move away from krautrock to his own version of long tone ambient music by the 1980s. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman.

His music has regularly been featured on nationally syndicated radio programs such as Hearts of Space and Star’s End.

Wiese is known also for his collaborations with Al Gromer KhanMathias GrassowOöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005. Twenty-four albums of material were released in 2004 alone.

He traveled the Far East for many years studying Sufism and Mysticism which clearly influenced his spiritual, ambient music.

Source: Wikipedia

Tsuyoshi Suzuki BD 4h set @Koenji Cave on 28th Nov 2020: no boundaries, no gravity, another world…

Tsuyoshi Suzuki BD 4h set @Koenji Cave on 28th Nov 2020

Prana are Tsuyoshi Suzuki, Nick Taylor, and Andy Guthrie, a Goa trance project from Japan. They were one of the most acclaimed pioneers of Goa Trance music style. They formed in 1993.

SID music: Dane: Edge Of Disgrace (stereo Dolby Headphone) God said Commodore 64 is our Ancestral Land, We knew what the fuck we were doing! Terry Davis TempleOS

I thought the sound chips on the market, including those in the Atari computers, were primitive and obviously had been designed by people who knew nothing about music. – Robert Yannes, On the Edge: The Spectacular Rise and Fall of Commodore:

Uma das melhores utilizações das capacidades sonoras da Commodore 64 podem ser ouvidas ao minuto 11.20, é de outro mundo o que este compositor (Dane) fez com uma tecnologia de 1981, este é um exemplo perfeito que nos demonstra que não estamos a evoluir tecnologicamente em nada, estamos a regredir com tecnologias Smart que nos tornam estúpidos e preguiçosos sem imaginação e com as nossas capacidades criativas atrofiadas e desligadas!

Dane – C64 SID music composer

A criatividade humana está a ser reprimida para que os avanços tecnológicos e computacionais não incluam a variável Espírito pois dessa forma a humanidade torna-se escrava da tecnologia para executar funções robóticas e não criativas!

As elites com o seu complexo militar-médico-farmacêutico querem anestesiar as emoções para impedir a livre circulação de energia (e-motion, energy motion) e controlar a pessoas com armas electromagnéticas de baixa energia como os telemóveis e as telecomunicações!

O Instituto de Saúde Pública da Universidade do Porto (ISPUP) é uma organização terrorista de criminalidade altamente organizada que quer desproteger as crianças para as poder controlar mentalmente, adoecer e matar lentamente com partículas alfa (radiação nuclear) e beta (radiação ionizante) que andam a ser espalhadas na atmosfera com o nanodust/smartdust (geo-engenharia) e na água pública!

Os graffitis e os trabalhos manuais são escudos protectores que neutralizam as armas electromagnéticas e nucleares usadas pelo 5G Smart Grid, luzes LEDs, nanodust/smartdust, orbital mind control lasers, e impedem o reconhecimento facial e a monitorização electrónica da inteligência artificial por causa dos campos diamagnéticos e neutrinos gerados no espaço quando as pessoas estão a criar arte manual de dentro de si para fora de si espalhando dark energy, energia espiritual!

Os interfaces gráficos de utilizador (GUI) usados nos sistemas operativos dos computadores e telemóveis de hoje são armas de manipulação das frequências cerebrais para atrasar o processamento cerebral e baixar a vibração corporal para que seja a máquina a controlar o cérebro alienando os humanos dos seus corpos.

Commodore is our Ancestor Land. “Do you know how this ends? The CIA sucks my cock! That’s how this fuckin’ ends! Ok? That’s how this fuckin’ ends! You knew it, you knew this is going to happen” – Terry Davis, Author of TempleOS, the most powerfull and only x64 native operating system in the entire world and history of computer science!

Flash Memory and Cloud Computing is a Trojan Horse and a Weapon of Mass Destruction!

Musicotherapy – Klaus Wiese: Wu Wei

Wu wei means – in Chinese – non-doing or ‘doing nothing’. It sounds like a pleasant invitation to relax or worse, fall into laziness or apathy. Yet this concept is key to the noblest kind of action according to the philosophy of Daoism – and is at the heart of what it means to follow Dao or The Way. – Wu Wei – Doing Nothing 無爲

Alerta: Existe alguém que se dá pelo nome de Arc e “El culto – Ambient & Electronic Music Label” que está a vender na internet novos ábuns e músicas em nome de Klaus Wiese e a dizer que são composições inéditas que não foram lançadas, isso é tudo mentira, é uma fraude, não comprem nada disso!

Klaus Wiese (January 18, 1942 – January 27, 2009 in Ulm)[1] was a veteran e-musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music.

Wiese is considered by some as one of the great ambient or space music artists such as Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti.

He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played tamboura on the albums Hosianna Mantra and Seligpreisung. Eventually Wiese would move away from krautrock to his own version of long tone ambient music by the 1980s. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman.

His music has regularly been featured on nationally syndicated radio programs such as Hearts of Space and Star’s End.

Wiese is known also for his collaborations with Al Gromer Khan, Mathias Grassow, Oöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005. Twenty-four albums of material were released in 2004 alone.

He traveled the Far East for many years studying Sufism and Mysticism which clearly influenced his spiritual, ambient music.

Source: Wikipedia

Klaus Wiese

Referências:

Klaus Wiese

I Prevail – Bow Down

The real way to drum is barefoot

I Prevail

Get on your knees and bow down
Yeah, I come alive, I’ll survive, take on anything
So paint a target on my back, let ’em come for me
I don’t fall, don’t quit, don’t ever sleep
‘Cause I’m on another level that you’ll never reach
If you seek forgiveness
You’ll get nothing, you’ll get nothing from me
You will never know, it’s the price I pay
Look into my eyes, we are not the same
Yeah, this is where you fall apart
Yeah, this is where you break
‘Cause I’m in control, and you’ll know my name
‘Cause I gave my life, gave my everything
Yeah, this is where you fall apart
Yeah, this is where you break
To everybody who doubted
Get on your knees and bow down
Get on your knees and bow down
You better recognize
You wanna talk that shit, time to back it up
‘Cause the best of your best ain’t good enough
Playing with my name, now I know you really messed up
Keep running your mouth, and I’mma call your bluff
You will never know, it’s the price I pay
Look into my eyes, we are not the same
Yeah, this is where you fall apart
Yeah, this is where you break
‘Cause I’m in control, and you’ll know my name
‘Cause I gave my life, gave my everything
Yeah, this is where you fall apart
Yeah, this is where you break
To everybody who doubted
Get on your knees and
You’re never gonna be enough
So I had this dream, it meant everything, and I watched it come alive
Then I let you in, underneath my skin, and I learned to love the lies
Now I lay awake and I contemplate, have I become what I hate?
Can I take it back ’cause it’s all I have? Will it get the best of me?
Have you ever had a dream? Would you fight for it?
Would you go to war? Would you die for it?
So now I’ll take my stand, now I’ll make you see
That if you seek forgiveness, you’ll get nothing from me
You’ll get nothing from me
You’ll get nothing from me
You’ll get nothing from me
To everybody who doubted, to everybody who doubted
To everybody who doubted
Get on your knees and bow down, bow down, bow down.

R-Types aproaching… SID music: Parallax (main theme – stereo Dolby Headphone): The World will be hacked by a Commodore 64! God said Commodore 64 is our Ancestral Land, We knew what the fuck we were doing! – Terry Davis TempleOS

I thought the sound chips on the market, including those in the Atari computers, were primitive and obviously had been designed by people who knew nothing about music. – Robert Yannes, On the Edge: The Spectacular Rise and Fall of Commodore:

Musicotherapy – SID music: Dane – Revolved (stereo Dolby Headphone) – God said Commodore 64 is our Ancestral Land, We knew what the fuck we were doing! – Terry Davis TempleOS

I thought the sound chips on the market, including those in the Atari computers, were primitive and obviously had been designed by people who knew nothing about music. – Robert Yannes, On the Edge: The Spectacular Rise and Fall of Commodore:

,

As orquestras musicais é fornicação musical em que o Maestro fode a música e os músicos para obter prazer e louvor para si com a geometria de uma orquestra que é vampírica e que foi arquitectada para direccionar a energia da música e a life force dos músicos para o centro e periferia da orquestra onde o Maestro e os fodilhões da audiência se encontram impedindo a libertação e dispersão da luz, do som e da dark energy (energia pura e improvisada, caótica e hiperactiva) dos músicos de forma escalar para fora do espaço e do tempo preenchendo todo o espaço e tempo porque esse estado toroidal tem a potencialidade de manipular a matéria definindo o próprio espaço e tempo em que queremos estar! (black holes no interior dos músicos de forma toroidal que quebra as barreiras do espaço e do tempo porque passamos a nos exprimir de dentro para fora e não mais de fora para dentro que é um sistema vampírico).

Os músicos numa orquestra não são independentes nem livres para se exprimirem livremente e inteiramente à sua vontade de forma improvisada porque estão orquestrados (programados tecnicamente, controlados e têm de obedecer à sequência musical pré-programada nas pautas), isso é errado, o ensino musical (como todo o ensino em qualquer área está tudo errado), não pode haver sequência nenhuma para que a criatividade seja manifestada, a real criatividade só surge quando o músico compõe a música em tempo real à sua maneira (sem regras, as pautas musicais não têm limites e criam-se dentro de nós em tempo real à medida que compomos a música, não se lêem!) a música é criada intuitivamente e de forma improvisada (sem forma), isto é inteligência e criatividade e não replicação nem reprodução técnica porque os humanos não são autómatos para reproduzir porque são dotados de inteligência criativa que é o que nos diferencia!

Reprodução musical não é música nenhuma, por isso é que as orquestras musicais recentemente estão-se a virar para as covers de videojogos (são reproduções e imitações das composições musicais de videojogos em modo orquestral) que é uma grande merda e uma foleirada agrícola que deturpa e profana a essência das composições originais das músicas que não foram compostas nem com orquestras nem com instrumentos musicais físicos, essas orquestras o que estão a fazer é um ritual de profanação e subversão da magia, mística, transcendência, espiritualidade, imaginação, criatividade e liberdade de expressão artística da composição original musical e o objectivo dessas covers orquestrais é para continuar a mascarar (cover) e credibilizar a fraude das orquestras musicais (que são sistemas vampíricos em que não há expressão individual nenhuma, há técnicos a desempenhar uma reprodução técnica) e é para prender as novas gerações à fraude sonora que é uma orquestra musical.

Nós não temos que impressionar ninguém fora de nós como as orquestras fazem, isso é idolatria e vampirismo, nós temos que nos impressionar a nós próprios fazendo o que nos motiva, que é o que nos faz sair fora do tempo e aceder a outros mundos dentro de nós para trazer à dimensão física criações novas!

Referências:

SID Chip – MOS Technology 6581

A música clássica e comercial é tóxica, é uma droga de euforia induzida temporária que manipula a resposta sensorial autônoma do meridiano! Por isso é que as elites adoram todos música clássica e vendem música comercial à manada para manter as pessoas excitadas sem potencial de repouso e de acção celular!

Como é que a maçonaria controla a humanidade pela arquitectura, geometria e pela propagação do som!

Commodore is our Ancestor Land. “Do you know how this ends? The CIA sucks my cock! That’s how this fuckin’ ends! Ok? That’s how this fuckin’ ends! You knew it, you knew this is going to happen” – Terry Davis, Author of TempleOS, the most powerfull and only x64 native operating system in the entire world and history of computer science!

Terrence Andrew Davis, author of the most powerful, efficient and secure Operating System in the entire world and hystory of Computer Science, being the biggest threat to artificial intelligence, cloud computing and quantum computers, was gang stalking and kidnapped by the CIA/illuminati and imprisoned and tortured at the Minnesota Correctional Facility – Stillwater!

IBM is behind the RFID healthcare and Transhumanist Agenda and they need ASCII to control the world with artificial intelligence!

Eargasm Musicotherapy – Puffer P – A Revelation Gem from Thailand

How would you know the difference between the dream world and the real world?

We want to talk about frequency for a moment, the vibration of sound is the basis for our existence! Everything must start with consciousness and frequency. You are boundless, you are timeless, you are a soul connected with the infinite! You are connected to Mother Gaia!

Puffer P and Dacru Records

Puffer P (Dacru Records – Sonic Dreams Psytrance Thailand)
Bangkok’s Djane Psychedelic Trance

https://www.facebook.com/pufferp/
https://soundcloud.com/dj-puffer-p
http://www.dacru.be/#!artists/pufferp

Puffer P is one of the freshest female dj talents from Thailand. Born and raised in the city of Angels Bangkok she proved she can stand her ground next to the masses of male djs. At the start of her dj carreer she participated in the ‘Born To DJ’ classes organized by Denon Thailand and SAE Institue Bangkok.

She’s a very versatile dj who can handle a wide variety of music styles but she found her true calling in Psychedelic Trance, where she enjoys playing progressive and full on. She is known for her smooth transitions and mind blowing sets.

She is a rising star in Thailand’s underground trance scene, gaining recognition through her regular and well received sets. More recently she teamed up with Dacru Records to form the Sonic Dreams events. The aim is to bring internationally renowed psytrance acts to Thailand on quality events. She also joined the label as a dj in her quest to spread the Psy-Trance sound further in Bangkok.

Be ready to get blown away by this talented DJ and experience the true meaning of a musical journey! Her energetic vibes through her catchy tunes are contagious which makes you want to come back for more!

Video

Musicotherapy – Klaus Wiese: Astral Garden

Alerta: Existe alguém que se dá pelo nome de Arc e “El culto – Ambient & Electronic Music Label” que está a vender na internet novos ábuns e músicas em nome de Klaus Wiese e a dizer que são composições inéditas que não foram lançadas, isso é tudo mentira, é uma fraude, não comprem nada disso!

Klaus Wiese (January 18, 1942 – January 27, 2009 in Ulm)[1] was a veteran e-musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music.

Wiese is considered by some as one of the great ambient or space music artists such as Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti.

He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played tamboura on the albums Hosianna Mantra and Seligpreisung. Eventually Wiese would move away from krautrock to his own version of long tone ambient music by the 1980s. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman.

His music has regularly been featured on nationally syndicated radio programs such as Hearts of Space and Star’s End.

Wiese is known also for his collaborations with Al Gromer Khan, Mathias Grassow, Oöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005. Twenty-four albums of material were released in 2004 alone.

He traveled the Far East for many years studying Sufism and Mysticism which clearly influenced his spiritual, ambient music.

Source: Wikipedia

Klaus Wiese

Referências:

Klaus Wiese

Musicotherapy: Vimana by Etnica

Vimana · Etnica

VA Goa Times – Now and Then

Composer: Eduardo Souza and Cris Guimaraes
Composer, Writer: Max Lanfranconi & Maurizio Begotti

Etnica is a project originally formed by Carlo Paterno, Max Lanfranconi, Maurizio Begotti, and Andrea Rizzo. They are a very well known Goa trance project from Milan Italy.

Musicotherapy: Jeroen Tel – The Open Soul (preview) (v22)

Jeroen Tel – Maniacs of Noise

Jeroen Godfried Tel (born 19 May 1972), also known as WAVE,[1] is a Dutch composer.[2][3][4] He is best known for numerous computer game tunes he wrote in the 1980s and early 1990s for the Commodore 64.[5] His most popular[6] compositions appear in the following Commodore 64 games: Combat Crazy, Cybernoid, Cybernoid II, Dan Dare 3, Eliminator, Hawkeye, Myth: History in the Making, Nighthunter, Robocop 3, Rubicon (title music), and Supremacy.[7]

Alongside Charles Deenen, who Tel met at computer meetings in Venlo, Netherlands, Tel is a founding member of the computer music group Maniacs of Noise,[8][9][10] a company devoted to composing music and designing sound effects for videogames since 1987.[11] He worked for several years at Funcom in Norway.[12] In addition to being a game musician, he has composed lots of modules in the context of demo scene.

Beber a nossa própria urina e fazer jejum intermitente cura e previne qualquer doença e purifica e rejuvenesce todo o nosso corpo!

Retirado e actualizado de: Urophagia: Prevenção, tratamento e cura natural e gratuita para várias doenças com a ingestão do ouro do sangue e o elixir da vida que é a urina!

A urina foi desenhada e criada para ser um alimento e um medicamento natural de imunoterapia sem efeitos secundários! Este trabalho de investigação científica vai servir para provar isso mesmo e acabar de uma vez por todas com todas as mentiras médicas e farmacêuticas, mitos urbanos e preconceitos à volta da urina que era conhecida ancestralmente por “Gold of the Blood”, “Elixir of long life”, “The Golden and Miracle Fountain”.

Todos os compostos químicos encontrados na urina humana também se encontram no sangue humano! O metaboloma da urina humana é um subconjunto do metaboloma do soro humano, tanto em termos de composição como de diversidade química! A urinoterapia (Urophagia) é uma das mais eficazes e poderosas práticas de imunoterapia que existe e que tem sido ocultada da maior parte da população para benefício das seitas médicas e farmacêuticas! “O meu Povo foi destruído porque lhe faltou conhecimento!” – Oséias 4:6

Continue reading “Beber a nossa própria urina e fazer jejum intermitente cura e previne qualquer doença e purifica e rejuvenesce todo o nosso corpo!”

Ancestral Therapy Flashback – Remembrance of lost history: Dahna: Megami Tanjō (Dahna: Birth of a Goddess)

Video games that reveal important ancestral history of the oldest governance system in the world: Matriarchy. This is a rare gem lost in time about the most ancient of the Celtic and Irish deities: Dana, the Great Mother Goddess.

Dahna: Megami Tanjō (Dahna 女神誕生, Dahna: Goddess’ Birth) is a 1991 platform action game developed by and published by IGS for the Mega Drive exclusively in Japan and South Korea. Player controls the title character who struggles against the powers of an evil sorceress raiding her village. The story is told through cut scenes and Dahna was helped along the way by various mythical beasts.

Plot: In ancient times, there lived a wealthy family whose heirs were two daughters. The older daughter was named Regine, and the younger Dahna. These two sisters were born with an exceptional powers from a very young age, that could enable them to summon the elements and other impossible things. It was this magic that many evil man within the spiritual underworld lusted after, particularly Regine whose powers grew stronger with age.

On Dahna’s seventh birthday, their parents lost their lives to a trap they had laid, and Regine was taken away. Dahna, hidden beneath the wreckage of the carriage, was fortunate enough to avoid any harm.

And so 10 years passed. The orphaned Dahna had been adopted by a magician by the name of Magh, living in the village of Horn. Under his supervision she worked to unleash her hidden powers. One day while she was out on an errand, Horn was attacked by a force led by an evil sorceress. She rushed back just in time to see Magh being dragged away.

And so as if guided by fate, Dahna set out on a lone journey eastward to rescue him.

Click here to play this game online

The Triscele of Dana Mother Earth Goddess

The natural direction of life is that of the Spiral,
a balanced, continuous movement winding towards the Cosmic or Spiritual Center.

The Spiral was a Sacred Symbol to all Ancient peoples.
It demonstrated the Eternal Rhythm of Life. The Triple Spiral design is unique to the Celtic peoples. This ancient design adorns their most Sacred places and represents the Trinity of Life in its many forms i.e. Body, Mind, and Spirit. Most significantly, it represents the Goddess of Her matriarchal people in her forms of Maiden, Mother, and Old Wise Woman. The one continuous line of the Triscele interlaces within itself representing the “Thread of Life” woven by the “Three Fates.”

Our Spiral symbolizes the Eternal Path of one’s undying Spirit through the course of life, death, and rebirth. Following the spiral path can induce a meditative state leading to transcendence from the mundane to the spiritual!

Artist Chris Bennett writes: “Across the mists of time and throughout many civilizations, the number three has been a powerful icon. To the pre-Celtic people of Ireland, the Tuatha de Danann, all forms of life go through three stages. The first stage starts with the Creation of each “spark” of Life. From the moment of birth, each Soul experiences the same trials and suffering of every plant and animal. Each spark is reborn from one shell to the next, going through all life situations until it reaches a state of “ALBRED” and is ready for the second stage, the human experience. Within this stage all facets of human life are explored and understood, as the soul is reborn countless times. This cycle continues until the spark reaches “GWYNFYD” or “purity“. The ancient bards defined this state as “life manifested as a pure rejoicing force having attained its triumph over “Evil.” Like all rivers reaching the sea, the Soul will eventually reach the third stage of life, called “CEUGANT”. Within this cycle the soul becomes Pure Consciousness and merges with the Universe.

The design style of this “Danna’s Triad” is called “vegetal” as it is composed of stylized vines and leaves. This design is based on one found on a bronze relic called a horn cap (the handle on a chariot or saddle) which was found in the Thames river and dates to about the fourth century B.C. Symbolically, the vegetal style reminds us to respect nature and all forms of life therein. This emblem helps the wearer remember that every plant, animal and being encountered is the housing for a Soul on its path towards the Enlightenment. – Source

Mystical Awakening of Virgo and Dana

ORACLE OF THE GODDESS DANA

PRIESTESS: Divine Dana, Star Goddess of Atlantis, Mother of the Gods and Goddesses of Ireland, inspiring the magical Arts and bestowing bounty throughout the whole earth, we invoke Thy aid, that in this hard age of fear we may know Thy Many-coloured Land!

ORACLE: Know that the Many Coloured Land of Tir na nOg is with all who know the future with visionary eyes, for Tir na nOg, Hy Brasil, Emhain, exist in All Time. The beauties of that place is seen by small children who play on dappled lawns, and gaze with wondering eyes at flower and butterfly and many-hued insects. Through the present come to Me! For the present is your Gate to Heaven. When worldly cares veil true vision, the passions clog the bright Fire-blood that courses through the spiritual body, when evil emotions of anger, envy and jealousy corrode the soul, then not even the present is noticed or enjoyed! Life for the dulled soul imprisoned in foolish preoccupations and unhealthy feelings is no life but rather an existence, that flees by in passing time; yet to the depleted soul it is a long drawn-out waste land of boredom, excited only by transient stimulation. Thus a whole life-time may be wasted by those with eyes that cannot see, ears that cannot hear, and a spiritual will unused.

Awaken! The glories of past civilisations, the dawn of consciousness, the memories of lives spent through a myriad of forms are all there for the initiate who, through total awareness of the present, attains experience of the past. Through understanding the past of the earth, the wonderful creatures, the human race, the soul gains understanding, and through understanding, wisdom.

Thus the soul is prepared for the Second Birth, the return to the innocence of angel childhood. In this state, the intellect is put aside, and the traveller in time enters into a new realm that for most of humanity is still the future! Ideal beings and trees and plants and animals are seen transposed, as it were, over dark cities with their ugly factories. The Golden Age shines for those who have, through awareness and the practice of the virtues, regained the use of psychic eyes and ears and feelings. This new awakening brings with it the fruit of past experience, so the wisdom of the sage is combined with childlike innocence. The harvest is reaped from the reenacting of past lives, and the growing of the seeds therefrom is the task of the present, that the glorious future gardens of delight may be manifested. – Source

Referências:

Celtic Women’s Spirituality: Accessing the Cauldron of Life

People of the Goddess Dana

Musicotherapy: John Huling – Spiritlands (Full Album Remastered)

Please support the artist! Get the album from here!

Gerne: Traditional (with a touch of electronic)
Composer: John Huling
Released in 1994

Musicotherapy: Mike Brooks – Realms of Darkness

Cassette insert is a folded piece of glossy black card with photocopied track information pasted inside. No times given on actual release. – Source

Terapia Marcial: Um preview do que vai acontecer ao Chefe de Estado e Governo de Portugal, Supremo Tribunal de Justiça, Ministério Público, e todos os restantes responsáveis pela demolição controlada da queda da ponte de Entre-os-Rios que matou crianças, mães, pais e destruiu famílias inteiras até aos dias de hoje!

A verdadeira história da tragédia da queda da ponte de Entre-os-Rios que foi detonada com uma demolição controlada com a cumplicidade do Estado Português, do Ministério Público e do Supremo Tribunal de Justiça!

Video

Terapia Marcial: Marcelo Rebelo de Sousa e a sua seita levam porrada do Jet Li na casa de banho das mulheres!