I Prevail – Bow Down

The real way to drum is barefoot

I Prevail

Get on your knees and bow down
Yeah, I come alive, I’ll survive, take on anything
So paint a target on my back, let ’em come for me
I don’t fall, don’t quit, don’t ever sleep
‘Cause I’m on another level that you’ll never reach
If you seek forgiveness
You’ll get nothing, you’ll get nothing from me
You will never know, it’s the price I pay
Look into my eyes, we are not the same
Yeah, this is where you fall apart
Yeah, this is where you break
‘Cause I’m in control, and you’ll know my name
‘Cause I gave my life, gave my everything
Yeah, this is where you fall apart
Yeah, this is where you break
To everybody who doubted
Get on your knees and bow down
Get on your knees and bow down
You better recognize
You wanna talk that shit, time to back it up
‘Cause the best of your best ain’t good enough
Playing with my name, now I know you really messed up
Keep running your mouth, and I’mma call your bluff
You will never know, it’s the price I pay
Look into my eyes, we are not the same
Yeah, this is where you fall apart
Yeah, this is where you break
‘Cause I’m in control, and you’ll know my name
‘Cause I gave my life, gave my everything
Yeah, this is where you fall apart
Yeah, this is where you break
To everybody who doubted
Get on your knees and
You’re never gonna be enough
So I had this dream, it meant everything, and I watched it come alive
Then I let you in, underneath my skin, and I learned to love the lies
Now I lay awake and I contemplate, have I become what I hate?
Can I take it back ’cause it’s all I have? Will it get the best of me?
Have you ever had a dream? Would you fight for it?
Would you go to war? Would you die for it?
So now I’ll take my stand, now I’ll make you see
That if you seek forgiveness, you’ll get nothing from me
You’ll get nothing from me
You’ll get nothing from me
You’ll get nothing from me
To everybody who doubted, to everybody who doubted
To everybody who doubted
Get on your knees and bow down, bow down, bow down.

Musicotherapy – SID music: Dane – Revolved (stereo Dolby Headphone) – God said Commodore 64 is our Ancestral Land, We knew what the fuck we were doing! – Terry Davis TempleOS

I thought the sound chips on the market, including those in the Atari computers, were primitive and obviously had been designed by people who knew nothing about music. – Robert Yannes, On the Edge: The Spectacular Rise and Fall of Commodore:

,

As orquestras musicais é fornicação musical em que o Maestro fode a música e os músicos para obter prazer e louvor para si com a geometria de uma orquestra que é vampírica e que foi arquitectada para direccionar a energia da música e a life force dos músicos para o centro e periferia da orquestra onde o Maestro e os fodilhões da audiência se encontram impedindo a libertação e dispersão da luz, do som e da dark energy (energia pura e improvisada, caótica e hiperactiva) dos músicos de forma escalar para fora do espaço e do tempo preenchendo todo o espaço e tempo porque esse estado toroidal tem a potencialidade de manipular a matéria definindo o próprio espaço e tempo em que queremos estar! (black holes no interior dos músicos de forma toroidal que quebra as barreiras do espaço e do tempo porque passamos a nos exprimir de dentro para fora e não mais de fora para dentro que é um sistema vampírico).

Os músicos numa orquestra não são independentes nem livres para se exprimirem livremente e inteiramente à sua vontade de forma improvisada porque estão orquestrados (programados tecnicamente, controlados e têm de obedecer à sequência musical pré-programada nas pautas), isso é errado, o ensino musical (como todo o ensino em qualquer área está tudo errado), não pode haver sequência nenhuma para que a criatividade seja manifestada, a real criatividade só surge quando o músico compõe a música em tempo real à sua maneira (sem regras, as pautas musicais não têm limites e criam-se dentro de nós em tempo real à medida que compomos a música, não se lêem!) a música é criada intuitivamente e de forma improvisada (sem forma), isto é inteligência e criatividade e não replicação nem reprodução técnica porque os humanos não são autómatos para reproduzir porque são dotados de inteligência criativa que é o que nos diferencia!

Reprodução musical não é música nenhuma, por isso é que as orquestras musicais recentemente estão-se a virar para as covers de videojogos (são reproduções e imitações das composições musicais de videojogos em modo orquestral) que é uma grande merda e uma foleirada agrícola que deturpa e profana a essência das composições originais das músicas que não foram compostas nem com orquestras nem com instrumentos musicais físicos, essas orquestras o que estão a fazer é um ritual de profanação e subversão da magia, mística, transcendência, espiritualidade, imaginação, criatividade e liberdade de expressão artística da composição original musical e o objectivo dessas covers orquestrais é para continuar a mascarar (cover) e credibilizar a fraude das orquestras musicais (que são sistemas vampíricos em que não há expressão individual nenhuma, há técnicos a desempenhar uma reprodução técnica) e é para prender as novas gerações à fraude sonora que é uma orquestra musical.

Nós não temos que impressionar ninguém fora de nós como as orquestras fazem, isso é idolatria e vampirismo, nós temos que nos impressionar a nós próprios fazendo o que nos motiva, que é o que nos faz sair fora do tempo e aceder a outros mundos dentro de nós para trazer à dimensão física criações novas!

Referências:

SID Chip – MOS Technology 6581

A música clássica e comercial é tóxica, é uma droga de euforia induzida temporária que manipula a resposta sensorial autônoma do meridiano! Por isso é que as elites adoram todos música clássica e vendem música comercial à manada para manter as pessoas excitadas sem potencial de repouso e de acção celular!

Como é que a maçonaria controla a humanidade pela arquitectura, geometria e pela propagação do som!

Commodore is our Ancestor Land. “Do you know how this ends? The CIA sucks my cock! That’s how this fuckin’ ends! Ok? That’s how this fuckin’ ends! You knew it, you knew this is going to happen” – Terry Davis, Author of TempleOS, the most powerfull and only x64 native operating system in the entire world and history of computer science!

Terrence Andrew Davis, author of the most powerful, efficient and secure Operating System in the entire world and hystory of Computer Science, being the biggest threat to artificial intelligence, cloud computing and quantum computers, was gang stalking and kidnapped by the CIA/illuminati and imprisoned and tortured at the Minnesota Correctional Facility – Stillwater!

IBM is behind the RFID healthcare and Transhumanist Agenda and they need ASCII to control the world with artificial intelligence!

Eargasm Musicotherapy – Puffer P – A Revelation Gem from Thailand

How would you know the difference between the dream world and the real world?

We want to talk about frequency for a moment, the vibration of sound is the basis for our existence! Everything must start with consciousness and frequency. You are boundless, you are timeless, you are a soul connected with the infinite! You are connected to Mother Gaia!

Puffer P and Dacru Records

Puffer P (Dacru Records – Sonic Dreams Psytrance Thailand)
Bangkok’s Djane Psychedelic Trance

https://www.facebook.com/pufferp/
https://soundcloud.com/dj-puffer-p
http://www.dacru.be/#!artists/pufferp

Puffer P is one of the freshest female dj talents from Thailand. Born and raised in the city of Angels Bangkok she proved she can stand her ground next to the masses of male djs. At the start of her dj carreer she participated in the ‘Born To DJ’ classes organized by Denon Thailand and SAE Institue Bangkok.

She’s a very versatile dj who can handle a wide variety of music styles but she found her true calling in Psychedelic Trance, where she enjoys playing progressive and full on. She is known for her smooth transitions and mind blowing sets.

She is a rising star in Thailand’s underground trance scene, gaining recognition through her regular and well received sets. More recently she teamed up with Dacru Records to form the Sonic Dreams events. The aim is to bring internationally renowed psytrance acts to Thailand on quality events. She also joined the label as a dj in her quest to spread the Psy-Trance sound further in Bangkok.

Be ready to get blown away by this talented DJ and experience the true meaning of a musical journey! Her energetic vibes through her catchy tunes are contagious which makes you want to come back for more!

Video

Musicotherapy – Klaus Wiese: Astral Garden

Alerta: Existe alguém que se dá pelo nome de Arc e “El culto – Ambient & Electronic Music Label” que está a vender na internet novos ábuns e músicas em nome de Klaus Wiese e a dizer que são composições inéditas que não foram lançadas, isso é tudo mentira, é uma fraude, não comprem nada disso!

Klaus Wiese (January 18, 1942 – January 27, 2009 in Ulm)[1] was a veteran e-musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music.

Wiese is considered by some as one of the great ambient or space music artists such as Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti.

He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played tamboura on the albums Hosianna Mantra and Seligpreisung. Eventually Wiese would move away from krautrock to his own version of long tone ambient music by the 1980s. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman.

His music has regularly been featured on nationally syndicated radio programs such as Hearts of Space and Star’s End.

Wiese is known also for his collaborations with Al Gromer Khan, Mathias Grassow, Oöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005. Twenty-four albums of material were released in 2004 alone.

He traveled the Far East for many years studying Sufism and Mysticism which clearly influenced his spiritual, ambient music.

Source: Wikipedia

Klaus Wiese

Referências:

Klaus Wiese

Musicotherapy: Vimana by Etnica

Vimana · Etnica

VA Goa Times – Now and Then

Composer: Eduardo Souza and Cris Guimaraes
Composer, Writer: Max Lanfranconi & Maurizio Begotti

Etnica is a project originally formed by Carlo Paterno, Max Lanfranconi, Maurizio Begotti, and Andrea Rizzo. They are a very well known Goa trance project from Milan Italy.

Musicotherapy: Jeroen Tel – The Open Soul (preview) (v22)

Jeroen Tel – Maniacs of Noise

Jeroen Godfried Tel (born 19 May 1972), also known as WAVE,[1] is a Dutch composer.[2][3][4] He is best known for numerous computer game tunes he wrote in the 1980s and early 1990s for the Commodore 64.[5] His most popular[6] compositions appear in the following Commodore 64 games: Combat Crazy, Cybernoid, Cybernoid II, Dan Dare 3, Eliminator, Hawkeye, Myth: History in the Making, Nighthunter, Robocop 3, Rubicon (title music), and Supremacy.[7]

Alongside Charles Deenen, who Tel met at computer meetings in Venlo, Netherlands, Tel is a founding member of the computer music group Maniacs of Noise,[8][9][10] a company devoted to composing music and designing sound effects for videogames since 1987.[11] He worked for several years at Funcom in Norway.[12] In addition to being a game musician, he has composed lots of modules in the context of demo scene.

Musicotherapy: John Huling – Spiritlands (Full Album Remastered)

Please support the artist! Get the album from here!

Gerne: Traditional (with a touch of electronic)
Composer: John Huling
Released in 1994

Musicotherapy: DigiCult – Instinct

I never belonged in this world. I wasn’t made for this. But I’ll never forget those who betrayed me and those who never failed my trust!

So, I’ll seek Justice for myself. I’ll choose the truth I like!

Forget the past and rely on your instincts.

Musicotherapy – Klaus Wiese: Vision

Klaus Wiese (January 18, 1942 – January 27, 2009 in Ulm)[1] was a veteran e-musician, minimalist, and multi-instrumentalist. A master of the Tibetan singing bowl, he created an extensive series of album releases using them. Wiese also used the human voice, the zither, Persian stringed instruments, chimes, and other exotic instruments in his music.

Wiese is considered by some as one of the great ambient or space music artists such as Robert Rich, Steve Roach, Michael Stearns, Constance Demby, and Jonn Serrie. His musical style is much more appropriately compared to the organic soundscapes of drone and dark ambient music, such as Oöphoi, Alio Die, Mathias Grassow, and Tau Ceti.

He was briefly a member of the krautrock band Popol Vuh in the early 1970s where he played tamboura on the albums Hosianna Mantra and Seligpreisung. Eventually Wiese would move away from krautrock to his own version of long tone ambient music by the 1980s. In the 1990s he founded the Nono Orchestra to play the giant sheetmetal instruments of Robert Rutman.

His music has regularly been featured on nationally syndicated radio programs such as Hearts of Space and Star’s End.

Wiese is known also for his collaborations with Al Gromer Khan, Mathias Grassow, Oöphoi, Tau Ceti, Saam Schlamminger, and Ted de Jong. He collaborated with Deuter on his Silence is the Answer album in 1980 and East of the Full Moon in 2005. Twenty-four albums of material were released in 2004 alone.

He traveled the Far East for many years studying Sufism and Mysticism which clearly influenced his spiritual, ambient music.

Source: Wikipedia

Klaus Wiese

Referências:

https://www.discogs.com/Klaus-Wiese-Vision/release/449812